Originally published by Donna Kallner on 4/2/10 at Two Red Threads.
The material I use for doodling comes from the pile of branchy and really curvy stuff I keep off to the side as I sort the harvest. When I need a break from other tasks, I grab pieces from that pile and start bending simple frames that I secure with electrical cable ties and hang in the window to dry. With a dry frame, it's easier to hold a shape and avoid kinks. This trick, along with most of what I know about willow, I learned from Jo Campbell-Amsler, who taught the first class I ever took at Sievers back in, I think, 1994.
I'll talk more about how I use the dry frames in my willow trellises in my next post. Today is about doodling.
In willow doodling, I'm not trying to make anything specific. I just pick up a branchy piece of willow and start going over/under/over/under. I may bind pieces together or spread things apart and add ribs to support more weaving. If things kink, no big deal: I'm using willow from the junk pile.
Sure, this looks like a leaf to you. But the way it landed when I tossed it on the table looked like a shapely leg. I'll make another one later and play around with some ideas for the rest of the parts for a two-dimensional zaftig lady trellis. Think of this as Frankentrellising. It's how I come up with things like the willow witch and her withie familiar who haunt my studio at Halloween.
Really, the process is no different that what an embroiderer does with a doodle cloth, or what a surface designer does with a scrap of fabric used for cleaning brushes, or what a quilter does with scraps cut off while squaring up... Shall I go on?
Willow isn't my primary material. Hasn't been for a long time. But I have enough fluency with the material and techniques that I can doodle without overthinking. There isn't a "value" associated with what I make with willow. My trellises go outside. Birds sit on them, and what happens next is as good a cure for perfectionism as anything. What also happens is I start to see connections between my willow doodles and my other work. Really, couldn't I translate that leaf/leg into needleweaving?
Creativity researchers call this divergent thinking. Having a label for it doesn't make willow doodling any less fun.
So what's your go-to fiber for doodling?